[北京]尤伦斯当代艺术中心展

自拍：我女性的一面 110x110cm 2002 阿尔贝托•加西亚•阿历克斯

来自不归路
阿尔贝托•加西亚•阿历克斯
UCCA中央甬道
2010.09.25 - 2010.11.12

展览《来自不归路》中的80张作品是从西班牙摄影师阿尔贝托•加西亚•阿历克斯多年来的诸多作品中甄选而来。他以诗意的方式记录了长达30年的生活，从马德里到巴黎，再到北京。摄影是他的日常记录和表达方式，把观看的人带到生活的边缘，他以对生命个体的极大尊重，去捕获那些我们鲜有描绘的风景。

他镜头前的主题就是他眼前的生活，他自己，他的朋友，街区的熟人，他居住地的房子以及人行道。镜头下的点点滴滴：恋人、敌人、对抗和亲吻都被艺术家诗意地记录下来。

他的相机就是他一路同行的伙伴，加西亚•阿历克斯用它保持着最传统的摄影方式：以胶片拍摄并亲自在暗房里手工冲印每一张照片。每一帧影像，都呈现出艺术家不羁、洒脱的创作方式，加之手工冲印的过程，这些图片凝固了他的过去，他的时间。而在UCCA的个展，正是对艺术家非凡过往的一次见证。

From Where There Is No Return
Alberto García-Alix
UCCA Nave
2010.09.25 - 2010.11.12

From where there is no return is a selection of 80 photographs from the celebrated Spanish photographer Alberto García-Alix’s ambitious project, De donde no se vuelve.

This photographic narrative, spanning more than 30 years, records the composition, light, shadow and poetics of life in Madrid, Paris and Beijing. Using photography as his journal, Alberto García-Alix takes viewers on a trip to the other side of life to capture, with great dignity and humanity, people and places rarely portrayed in art. The subjects passing before his lens are people and places he encounters every day: himself, his friends, his street acquaintances, the pavement and the cement buildings where he once lived. His camera brings sex workers, tattoo parlors, transvestites, lovers, enemies, battles and kisses together in one long poetic journey through his life.

With his camera as a constant companion, García-Alix maintains the integrity of photography, shooting with film and lovingly developing each photograph by hand in his darkroom. Every image is an unbridled portrait of the artist’s life; every print reflects the intimate chemistry by which he develops that image. Combined in this solo exhibition at UCCA, they form a singular and evocative witness to history.

呼吸－提款机 硅胶、钢架、鼓风机 120 x 150cm 2009 王郁洋

“由刘韡策划”
王郁洋·胡向前
UCCA白立方·黑盒子
2010.09.25 - 2010.11.07

9月，延续尤伦斯当代艺术中心(UCCA)“由……策划”系列，刘韡将为我们推荐两位年轻艺术家：王郁洋和胡向前。王郁洋和胡向前的创作手法和媒介都丰富多样且具有独特的实验性。

王郁洋的创作涵盖装置、摄影、影像和绘画；他目前在其母校中央美术学院任教。他的作品以幽默与虚构的方式来探讨人造现实的概念以及认知和感知之间的关系。本次在UCCA的展览中，他将带来一组会“呼吸”的雕塑，以电视机、空调等日常家居用品的形式呈现出一种空间的互动与对话。

胡向前喜欢通过不断实践来打破艺术创作与日常生活的界限，并使二者在互为矛盾的同时又形成了统一的主观比照。他在UCCA将展出一段影像作品，记录他凭借一本《生存手册》深入荒野，应用书中描述的各种不切实际的技巧求生的过程。通过影像呈现的方式，胡向前将与前来UCCA参观的每一个人分享他的这次冒险与体验。

王郁洋与胡向前的这两组作品看似游离于感知、体验和人类生存境遇间，徘徊举棋的多种不确定性，带给观众一种全新的视角，耐人寻味。展览将在UCCA的白立方&黑盒子空间同时展出。

“Curated By Liu Wei”
Wang Yuyang & Hu Xiangqian
UCCA White Cube & Black Box
2010.09.25 - 2010.11.07

This September, as part of the UCCA Curated By… series, Liu Wei will introduce Wang Yuyang and Hu Xiangqian, two young artists whose creative mediums are as uniquely experimental and varied as those of the curator himself.

Wang Yuyang works with installations, photography, video and painting; he currently teaches at the Central Academy of Fine Arts, his alma mater. His works take a humorous and fictional approach to exploring concepts of artificial reality and the relationship between cognition and perception. For his exhibit at UCCA, he will present a group of "breathing" sculptures in the form of household items such as televisions and air conditioners.

Hu Xiangqian enjoys incorporating aspects of daily life into his practice and transgressing the separation between art and everyday life. For his exhibit at UCCA, he plans to go into the wild with a "Survival Guide" and attempt to survive sensibly by employing the impractical skills illustrated in his survival guide. The artist will document the experience on video in order to share his adventures with UCCA exhibition-goers.

These two works of humor and absurdity by Wang Yuyang and Hu Xiangqian will be shown in the same space, UCCA’s White Cube & Black Box.

蓝屋 No.10 布面油画195 x 223cm 2010 杨少斌

蓝屋
杨少斌
UCCA中展厅
2010.09.25 - 2010.11.12

因其独特的抽象写实主义绘画而闻名的杨少斌，这一次以全球气候的变化为灵感，把UCCA中展厅变成了一个充满蓝色风景和肖像的单色海洋。这些油画以“无形”暴力和对抗为中心，使整个空间充斥着一种“深邃而有强度的忧郁”。艺术家把38位领导人和普通人的肖像以及绘有无限神秘的自然风景作为连接，并置在一个浓郁的蓝色空间里，环境的变化使人类都不得不面对很多不确定的未来。

杨少斌的《蓝屋》是特别为UCCA空间量身定做的。在展厅中，观众将发现自己被接近2米高的超大画作所环绕：一边是参与全球环境论坛的领导人肖像，对面则是挣扎在生存边缘或在气候变化中遭受苦难的难民肖像。另外两面墙上的风景画，一面是黑洞，另一面描绘的是风暴的中央，它们会慢慢地吸引参观者发现：在蓝屋里充斥着一种无法估量的对抗与不确定性。

Blue Room
Yang Shaobin
UCCA Middle Room
2010.09.25 - 2010.11.12

Yang Shaobin is an artist famous for his unique abstract realist paintings. This September, he will transform UCCA’s Middle Room into a monochromatic sea of true-blue landscapes and portraits inspired by global climate change. Centered around the themes of "invisible" violence and confrontation, these paintings saturate the room with uncertainty. The artist plans to cover two opposing walls with 38 portraits of people (both well-known and anonymous) and two adjacent walls with deep blue landscapes of infinity.

Yang Shaobin's Blue Room is a series of paintings whose dimensions have been meticulously customized to fit the UCCA space. Viewers will find themselves surrounded by oversized portraits, each nearly two meters high. On one side, we see an array of political leaders involved in the recent global climate talks; on the other, portraits of refugees living on the margins of survival or struggling with the effects of climate change. Two landscape paintings, one of a black hole and another of the eye of a storm, slowly draw the viewer into acknowledging the immeasurable and violent uncertainty of this Blue Room.